They Had a Fun Pandemic. You Can Read About It in Print.

They Had a Fun Pandemic. You Can Read About It in Print.

They Had a Fun Pandemic. You Can Read About It in Print.

They Had a Fun Pandemic. You Can Read About It in Print.

The Drunken Canal is one of a handful of downtown media projects that have been sprouting in reaction to the dominance of giant online media, the homogenization of big social media platforms that make community feel global, not local (though they’d like it if you’d follow them on Instagram), and the overwhelming sense that nobody in media was having fun in the grim year of 2020. The Dimes Square local media include a pirate radio station, Montez Press Radio, that won’t let you listen on demand, and a “natural style” fashion email newsletter, Opulent Tips, written by a GQ staff writer, with no fancy formatting. Many of the most interesting new products are in print “because digital spaces are becoming increasingly more policed,” said Richard Turley, 44, the former creative director of Bloomberg Businessweek who founded another downtown newspaper, Civilization, in 2018.

The Dimes Square scene caught my eye because its privileged denizens embody a broader shift toward spaces safe from social media. The new Silicon Valley social audio app Clubhouse shares some of those values. And the choice of print has a political edge. The Canal’s first issue featured a “Sorry to hear you’ve been canceled” column composed of a list of names, with no explanation, “to keep you from looking foolish at a woke gathering.” (The second issue included an apology to the actor Terry Crews, whose name had been spelled wrong in the first issue and who had, in fact, not been canceled, in the publishers’ view.) A third recent newsprint project called The New Now, created by a co-founder of the magazine Paper, announces atop its front page that it is “Free of Charge” “Free of Advertising” and “Free of the internet.”

The downtown media rebellion often looks back to the 1990s, when the model and actress Chloë Sevigny embodied an edgy new scene in a New Yorker profile, just before her star turn in the explicit 1995 movie “Kids.” Ms. Sevigny, now 46, is a running preoccupation — The Drunken Canal has featured her stylist, Haley Wollens. Ms. Sevigny told me she’s “flattered and hoping the kids rally for all of us.” But the more recent seeds of the current scene are in the podcasts that helped put a strain of left-wing populist politics that’s as hostile to Hillary Clinton as it is to Donald Trump on the political map — in particular, one called Red Scare, whose co-host, Dasha Nekrasova, lives near Dimes Square. Ms. Nekrasova, 30, said she admired the spirit of The Drunken Canal although, like many of its admirers, she hasn’t actually been able to get her hands on a copy. She plays a crisis P.R. person in the upcoming season of “Succession” and has directed a new feature film rooted in theories about Jeffrey Epstein’s death. The new Drunken Canal includes the prediction that “DASHA will become the new and better Chloë Sevigny.”

The unsafe sex of “Kids” scandalized 1990s New York, but the best way to get a reaction from the 2020 New York media was by bragging about having indoor parties. The writer and publicist Kaitlin Phillips, 30, who occupies a spot close to the center of a map of downtown personalities, became mildly notorious on Twitter for advertising a blasé attitude through the worst of the pandemic last spring.


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